messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

after releases on eskimo, is it balearic?, tusk and disques synthomme, jose drops the debut 12 inch on its a lectric world (a white label spin-off from lectric sands). a slo-mo house track with heavy percussion, afro samples and an epic acid bassline. 4 mixes (includes instrumental & bonus beats). stamped white label in paper sleeves.

cool new release with sick jtc acid remix on minimal rome records! polysick has the honour to have the 25th release of the label, with two tracks for the mrx-patiendum est series. from the mysterious hypnotic visions of digital native (planet mu) and the proustian reverie of daydream (audiomer), polysick moves towards an obscure and sinister dancefloor with a 12 that hosts on the b-side a whirling acid remix by jtc.

summer surprises dont come better than this.. 2 versions of a new track from this amsterdam based studio don... refreshing house cocktails with a twists of acid.. tip!

anaxander make a welcome return to local talk following the mighty local talking ep released earlier this year which got support from heavy weights like rolando, ben sims, recloose, ben westbeech and many more. on this release he drops the bpms and let the machines do the talking. both candy stand and my aniseed lollipop are perfect examples of how to lay down an acid track sparse but bold percussion frameworks to contain that all important, tension laced 303 work - perfect for ballrooms and basements alike!

dedicated to the rozelle warehouse, a decrepit building in a forgotten corner of memphis tennessee, where bassbins shook ancient dust from the walls, lives were forever altered, and one guy took way too much acid.

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.

stephan schindler aka kryptic universe aka lockertmatik is a german electronic music producer with a preference for analogue gear. he has a distinct 90s techno and house sound signature without sounding dated or overnostalgic. after making waves on his own (vinyl only) lockertmatik imprint, he got full recognicition through his ep on shtum (uncanny valleys sublabel).
thank something for the interweb, otherwise we might have never been able to get in touch with this obscure talent. we are proud to introduce him in our roster with this fantastic ep, showcasing all of the above mentioned. midnight michigans detroit inspired machine funk, woodbridge st. tearjerking acid bassline & strings and, last but not least, the ridermans fierce analogue bassline and fearless drum programming brighten the catalogue of wolfskuil ltd in many, beautiful ways.

reacquainted with his soul after the galactic battle with the gatekeeper of hades, edmx and his craft bulb into view from hyperdrive. emerging from an imperfect stasis, the pilot lay slumped over the controls of his ship. beneath the glaze of his vizor his eyes looked milky white, opaque cataracts had almost sealed them. the craft was being pulled slowly toward sigma orionis on invisible magnetic currents. flurries of dust danced around the pilots window like fireflies. in the far distance the horse head nebulae dwarfs the tiny craft with its mountainous cosmic majesty.

old-skool acid house alert! these tracks were recorded by jordan fields in chicago during the late 80s. just recently re-discovered on reel to reel tapes and as soon as we heard these beauties, we knew the world needs to have these on vinyl! starting off with among the kloudz which is a very raw & mental analog groovin acid house track. on the flipside youll find keepin it together, a warm soulful but yet club friendly mr fingers, virgo four alike track. this ep is for all the true chicago heads, enjoy!

arma label got its sixth volume released. acid western starring dusty baron, sai and ponty mython is about to hit screens. action flows along griboedov channel, poetic black-and-white slow motion directed by dusty baron, mostly known to arma17 audience as latecomer. picture turns into high-key at scenes featuring sai and ponty mython, resulting in vivid illusion - happy-end is possible.

2013 marks the introduction of a new imprint in music: touch of class records. the labels founders, pillowtalk member michael tello along side ray zuniga, pay homage to their fathers business continuing the family name and artistic principle. originally from los angeles, the label mates migrated north, to san francisco. toc records puts a new west coast label on the map aspiring to exhibit the distinctive deep-house, indie dance and raw-techno textures that embody both hometowns.

john digweed and nick muir collide with psycatron on this pounding techno fuelled number, harking back to the golden age of acid tinged basslines and urgent, frenetic drums. furious breakdowns build anticipation on this peak-time dancefloor killer!

lethal chicagoid acid madness produced by a team of rabid suburban producers who prefers to remain in the shadows. just one side of extreme loudness. vinyl only.

what a year for lake people so far. apart from several excellent releases and remixes, like his outstanding interpretation for chymeras classic >caprica burning<, the leipzig-based act is busy playing gigs around the globe. earlier this year, he had his first south-america tour, north america is following this summer. his lowkey and touching live-performances obviously work excellently. we are now more than happy to present the next lake people ep. four tracks, no remixes and each of them a pearl on its own. >into< goes a bit in the direction of his hit >point in time< on krakatau, while >stepwise< and >come over later< reminds of the timeless electronic approach of acid jesus or soylent green releases on klang elektonik

some two years in the making, glide time is the brand new studio album from is it balearic..? recordings head boys coyote. eight tracks deep, this album sees ampo and timm sure further perfect their approach to modern balearica, ambling from moments of incandescent calm such as the expansive opening track *california jam* and *feel beautiful* to euphoria inducing cuts like the chuggy *swimming* and acid tinged *break on through*. look out for the guitar playing skills of is it balearic...? stalwart max essa too. it is indeed time to glide. switch on and feel the new balearic beat at its best.

incl. mp3 download code. exclusive selection of old chicago warehouse classics that are currently out of print. incl: aquarius warehouse anthem, jam to it again, originally out on city limits in 1990, still sounds like a jolt of adrenaline to the system.

2x 12 inch proper experimental ambient stuff

second release from swedish label sorgenfri inspelnigar is a split ep from label boss benjamin syra and ken odd. on the menu is 4 tracks of analogue acid & techno. vinyl only!!

flashback to chicago in 1985, when house music was just being born. a few kids - matt warren, miguel garcia and ralphi rosario, get together to join forces with the already established sunset mobile disco - owned by brothers alex and robert rojo - to create a new record label as an outlet for their productions. here still music presents the full story, written by jacob arnold - of one of chicagos house music best kept secret in a superb gatefold dlp compilation that includes remastered, rare and unreleased tracks from the sunset records inc. label along with lost pictures and artifacts spread in a gatefold dlp. check!

special hand stamped white label release - more info to follow, an acid tinged club track, distorted broken beats and a pulsating driver make up the debut papers ep, papers is made up of two brothers from london who like paper in all its forms.

supercool minialbum that both take you back to slammin parties in the 90s and as technical good it can be nowdays. pure techno & slammin acid produced by andreas tilliander.

the kontra-musik white label series has turned five. we celebrate with the group who started it all. frak returns to kontra-musik with four more tracks of acidic craziness.

black rose is back with an all italian line up on their latest 12inch release which is the seventh in their string of vinyl releases thusfar. wilson records owner fabio monesi opens the ep with his raw >tapes around you< jam. the ever so mysterious hissman is on remix duties for this one. italian star on the rise rio padice takes over with his ganymede jazz club which holds some of the rawest hissy club vibes around. salvo castelli opens the b side with his lost in miami burner while alex magno and antonio del prete close down the ep with the acid chugger tale.

a future nu disco classic from italys the zars on chicagos own smooth agent records. the zars are producers alexander giampaolo tessarolo & alessandro la padula. their sound is somewhere between classic deep house and nu disco. we just call this good music. the uks ooft! kicks things off with a deep and atmospheric mix with a touch of acid followed by the original mix. b/w a luminodisco remix with a soulful and more organic mix plus the bonus cut saxa rubina.

brooklyns boroughs are contaminated by creators, so the only surprise hearing alex burkats first 100% silk masters was how subtly exquisite he had nailed them down. patient, swelling loops of new age club mist give way to classic chicago figure-8 bass patterns, and dubby, sampled drum fills punctuate before billowing back out into breathy warehouse atmospherics.
his recent ep for mister saturday night explored more upbeat-oriented dynamics but tarot unwinds with a dreamier deja vu—waves of arpeggiated echoes, strobing stereo shimmer, and low acid warble arcing over a limitless subterranean dance floor. this is hypnotic humanist mantric mystery music for the 21st century, for those invested in what the deck has to hold.

new artist on crowdspacer. for club use. house + acid + us garage. 606 + 303 + 909. nothing more to add except you have to listen to this on a smokey boiling hot dancefloor

nicolas cantu makes a welcome return to sequencias with the lost tribe—a brisk 808 workout with lush synthwork and psychedelic acid stylings. this is a more breezy approach compared to his work on other labels yet spares none of the imaginative or emotive qualities. on the flip side, label head jm de frias offers up the dissonant groover the light as a follow up to his debut track from levon vincents acclaimed fabric mix cd. brash percussion collides with staccato melodies awash in echo and organ, sustaining an intensity that never quite boils over. the two team up for the closer the last light, an atmospheric epic of growling strings, breathy ambience and melancholy stitched together with creaky, decrepit acid stabs and brittle percussion. this is the beginning of an on going collaboration between the two, keep your ears open in the near future.

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

here is the first issue of our new serie called macadam mambo trax. mzkbx aka sacha mambo, boss label, delivers a ghetto house ep, revisiting hip house, jack and acid in the rough way? including a huge remix by samo dj (l.i.e.s. / born free) vinyl only, limited. be careful, its hot!

black vinyl !! echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on double 12 inch vinyl. comes in a mathematics die cut sleeve.

echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on transparent double 12 inch vinyl. comes in a mathematics die cut sleeve.

ambivalent & michael l penman debut on ovum with *shimmer*. having found a very fruitful collaborative friendship, michael l penman and ambivalent (aka kevin mchugh) have begun exploring the intersection of their approaches to music-making. they originally connected when kevin discovered michaels music in 2010. after playing many of his productions in his dj sets and including them in a mix-cd (_ground) release for minus, kevin made contact and the pair began exchanging files and swapping ideas. this led to time in the studio together and yet more file exchanges. quickly a natural creative balance emerged as they found that their production techniques were complementary as is their shared love of groove, bass and musicality. for their ovum debut the duo have delivered a trio of tracks that have those three elements at their core. title track shimmer brings together raw jackin funk with a warm driving bassline and scything techy stabs whilst chevalier matches its fun bouncy groove with an infectious and spritely melody. final track memogram comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of acid-kicks. not for the feint of heart!

daren agers debut vinyl release! daren is a very well known and respected analog synth/modul teacher on the internet. having his own youtube channel with 2.5 million clicks we thought it was time to introduce this genius to the vinyl lovers as well! darens main influences come from the likes of drexciya, model 500, derrick may and carl craig. when listening to summer in detroit you can feel the influences from these heroes. there is a warm and beautiful detroit flavor all the way thru the track. on the b-side you will find halcyon days which is a acid-house track that makes you want to jump into the time capsule and travel straight back to the warehouse in chicago or the hacienda in manchester

bunker, creme org., mathematics to name a few labels, who andreas gehm aka elec pt.1, the man from cologne, releases his output the last years. after the ep the exaltics meets elec p.1 early 2013, solar one music is happy to announce his fantastic longplayer black pukee. 12 tracks on the edge of early dark jackin acid, chicago house and uncompromising underground techno and you can clearly hear his passion for the purest 303 sound. double lp presented in full printed cover artwork. are u ready for gehm?

nbt sound posse first realese. ragga tek and pumpin acid tribe influenced by fky, with a fatter kick. hartek familly there no tribecore and no electro techno. just a fidelity to a sound and to a spirit. roma power linking south to north, unity! limited 300.

spooky acid house madness, flipside (friday night) with deep / chicago flavours

limited to 300 copies, debut ep of deep burning, soulful house for the party from scotlands leonidas & hobbes. steeped in classic chicago, detroit and sheffield modes, the machines, tapes & electronic setups ep reels between anthemic acid soul on driftin to kinkier tropical dub disco in penthouse dub and druggy chi-hoose in jackin pschidt, to the bandy-legged conclusion of pavement k

miles sagnias british bastion of deepness, aer, returns with the life ep, which sees the label foray into fresh territory. tokyos tomi chair opens proceedings with a sharp piece of deep techno called sunstroke which is as uplifting as it is tough. si tappenden appears next under the newly established ourra alias, contributing the dawn acid driver marine morning which is an inspired piece of dancefloor poetry. finally rounding off the ep is miles sagnias ~elements~. after years of experience as one of the uks finest underground djs, sagnia is on point once again. a beautifully emotive track, that pulls on the heart strings and exhibits a serene gentility that works alongside the rhythm

felix dickinson and jamie reads revitalized l.h.a.s. inc project return to the formers cynic label with losing my innocence. in original form, l.h.a.s. inc present a blue eyed slo mo acid side to their collective palette that demonstrates some notable diversity and a capacity for song writing. complementing this is a dub from dickinson in his foolish felix guise and two self styled swamp outs from south londons finest cage & aviar

rsi is a new label affiliated to the tusk wax empire, and for their first release they look to the unexpected choice of the posthuman duo of rich bevan and josh doherty. hecatism sees the pair wander into deeper corners than their music is usually known for, trading electro breakbeats for a mid tempo production filled with resonant textures and vocal chunks that could nominally be described as house, while helioshock sees them break out the 303 for some heady acid grooves. the remixes of the title track come expertly chosen also, with disco bloodbath resident damon martin taking the track even deeper into something approaching balearic groove, and pork intl, who adds a distinctly more interstellar flavour to the original with its danny wolfers-style analogue house chords.

dance mania release some all new material from traxman with westside boogie traxs vol. 3 providing a belated follow-up to the 12 inch that the producer released on dance mania under the traxman da geto dj name in 1996

anfang august erscheint die debüt-single der hamburger produzentin und dj helena hauff auf werkdiscs! ihre clubnacht birds and other instruments im legendären pudel club erfreut sich großer beliebtheit, und helenas sound bewegt sich irgendwo zwischen dirty acid, chicago house, electro und wave. klasse einstand auf werkdiscs!

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.

parallel zum start seiner neuen welttournee erscheint boys noizes brandneue ep go hard. darauf wartet alex ridha aka boys noize mit einer ganzen bandbreite an unterschiedlichsten styles auf: früher acid/hardcore/breakbeat/rave, analoger techno (ohne bass, ohne melodie, mit intensiven roboterstimmen), 909-acid/disco-house, acid-rap und nochmal klassisch-sicker rave-beat. go hard indeed!

after a fantastic debut on tusk wax the uk producer drops this 4 track ep on glenview originals. features a remix from the tusk label mastermind of the title track along with the original version, alji and magic castle. all tracks mastered by kuniyuki takahashi! going to be big. dont sleep.

the follow up to the coveted ghetto track from jody fingers finch brings two fantastic remixes from chicagos derrick carter. on the a-side, the bhq acid vocal mix finally sees its release and delivers a straight up jack track with the instrumental on the flip.

criminal love is the welcome return of culprits biggest young discoveries of 2012 – climbers – to the label. its their third culprit release and yet another single aimed to sweep this summer seasons best daytime parties, in the wake of success of last years 2 come back

leading up to the release of their next album, tribazik return with the remx ep spacetime collapse, featuring remixes from such electronic royalty as venetian snares. tribazik are no newcomers to the spotlight. having supported influential post punk band killing joke on their european tour and having previously enjoyed reviews from rock sound, kerrang and terrorizer on their last album all blood is red, mixed by andy gill, of gang of four, the band are establishing themselves as a force to be reckoned with.